Opinion:: Don’t let noise complaints shut down local festivals (especially AlexFest)

Booker Opinion

Browsing  facebook recently, I stumbled upon a Cambridge News article entitled ‘Charity fundraiser AlexFest in Cambridge could be scrapped over noise complaints’ (Read more). Instantly, I was struck by the ridiculousness of this and, without sounding overly dramatic, the injustice of it. It seemed mad that a festival, whose main purpose has been to raise money for a genuinely good cause (for Arthur Rank Hospice), should be facing a prospective shut down due to noise complaints from neighbours that were apparently made aware of the festival and whose well-being was fully kept in mind by the festival’s organisers. Now, I’ve never been to AlexFest myself, though have been aware of it and known of Cambridge 105’s support for it. I’ve also been to the Alexandra Arms, where it is held, a fair few times and enjoyed its pleasant atmosphere. I’ve also myself been the recipient of a noise complaint, which I considered to be unfair. So overall, my sympathies were always going to be with AlexFest in this instance.

This got me thinking that I should consider the other side, that of the residents apparently disturbed by the festival’s noise. Like anyone, I would be irritated by persistent loud music that prevented me from sleep and carried on well past a reasonable time, especially if I had work/an early start the next morning. I might even be moved to make a formal complaint about this. However, this would by no means be my first reaction. If anything, it would be a last resort, if noise had continued gratuitously and those making it had been completely unreasonable about it. My first reaction would be to simply go round and ask them politely if they could be quieter and not continue past an unreasonable time. I know this may seem unusual in today’s world, but despite not being the most outgoing of people, and a bit awkward when talking to strangers, I would still feel compelled to discuss such a concern before making a formal complaint.

Either way, the thing about AlexFest is that, according to Cambridge News, the organisers were being fully mindful of resident’s concerns. Not only had they spoken to neighbours beforehand about potential noise, but they had also ensured that volume was not exceeded unreasonably and all acts were made to stop playing by ten thirty in the evening. Moreover, it seems that the event was attended widely by the local community, with people of varying ages enjoying the festival and the live acts on offer. It is well worth mentioning, also, that the event raised £1000 for Mill Road’s Arthur Rank Hospice, something for which the hospice itself has apparently been grateful, having stated that it hopes the festival can continue. If this isn’t serving the community then I don’t know what is.

Why, then, did local residents feel compelled to make formal complaints? Clearly, they felt that they simply couldn’t bring themselves to speak to the organisers on the night about their apparent discomfort, or felt that the event was being unreasonable overall in playing live music at all on a residential street. It seems to me that such a reaction is a symptom of modern British society in which a sense of community is sorely lacking, the great irony of this being that AlexFest’s aim had also been to foster a sense of community in the first place. My plea to the council, and anyone else involved in the decision about AlexFest’s continuation, is therefore simple. Do not close down a local community event that does far, far more good than harm.

I know this may sound melodramatic and preachy, but from my perspective, and the perspective of many others who wish to support live music and local causes, it is hugely important that events such as these are not completely shut down for the sake of a few noise complaints. I know we’re reserved and British, but that doesn’t mean we have to forsake all sense of community, especially when the arts and fundraising for local charity are concerned.

Sam Booker

Live Review:: Wolf Alice + The Magic Gang + Bloody Knees @ The Junction, Cambridge, 10/4/15

Originally published in Durham student Online Magazine The Bubble here

First to take to the stage at Cambridge’s premier live music venue (The Corn Exchange, whilst bigger, lacks the same beery-pissy-dodgy-club-night vibe) are local legends Bloody Knees. The crowd is understandably bigger at this early stage than it would be for an out of town support, and they give the 4-piece grunge-pop outfit a vociferous reception. In return they are granted with a new slice of their trademark distorted guitars x snarling vocals formula, with the dedicated hardcore’s wasting no time in starting the mosh pits in the centre of the crowd.

Second up is another new track. Whilst opening with a single new one would be an understandable decision, to go for two is bold, but Bloody Knees have the chops to just pull it off. That being said, it is a relief for the amiable atmosphere that recent single ‘Day Dream’ is wheeled out, to the majority of the crowd’s delight.

One issue throughout the set is the muddiness in the sound, particularly affecting the catchy lead guitar lines that are prevalent throughout their music. This is most noticeable on penultimate song and signature tune ‘Ears Eyes Ohs and Yous’- the track that broke them, and the one song that anyone who has heard of this band is likely to know. To that end, the loss of the main riff isn’t disastrous, as most just sing it along in their head, or even out loud, anyway. The anthemic yet melodic ‘whaoaoaoaoa’’s of the chorus, combined with the dramatically increased mosh pit, are the first of many roof lifting moments of the night. The refrain of last track Stitches (ironically written about an incident on BK’s last tour with Wolf Alice), “I’m covered in blood, but at least I’m having fun” is an apposite mantra for the boisterous and carefree crowd. No doubt some of those in attendance will be requiring stiches by the end.

As a final aside, it seem churlish to quibble over set lists when the band only get half an hour to perform but there was a feeling that the group did leave some sparkle out. ‘Luckless’ and ‘Bury Me’ would’ve been more dynamic cuts to include from the Stitches EP, as opposed to ‘Never Change’ and ‘Garbage Brain’. Further to this, the aforementioned ‘Ears eyes…’ was the single track from their debut release played, and stand-alone tunes ‘Bones’ and ‘Bed tomb’ were also avoided. It is totally reasonable that they wanted to try some new ones, and these were sounding promising, but still, in what is likely to be one of their biggest shows yet, a more longtime-fan friendly set would’ve been appreciated. On the flip-side, if they had played more recognisable songs, others may have bemoaned their lack of evolution. What’re you gonna do? Overall, a very enjoyable set, if not quite as incendiary as past performances in more intimate venues.

Much hyped Brighton four-piece are the second act to slide onto the Cambridge stage. Crisply and concisely cracking into their opening number, the first of many charming and effervescent retro-modern guitar indie tunes gets the capacity crowd dancing again. If Bloody Knees dealt in punky angst, The Magic Gang are all smiles and cheerful bouncing, much like the Weezer incarnation that appears in the Happy Days inspired video for ‘90s guitar-pop paragon ‘Buddy Holly’. Second up is the song that first brought the gangsters to the spotlight, ‘She Won’t Ghost’- again there is nothing complicated about this song, but the vintage production and pained way the vocalists sing it give it that extra lift. On vocalists, I’ll confess, having slacked on research, I thought they had just the one lead singer, owing to the almost imperceptible difference in the sound of the voices. Turns out, the three guys out the front of the stage are all capable of harmonising delectably, a highlight apparent throughout the set.

A girl behind me says “I know its cheesy… but I love a bit of cheese!”- this is perhaps not the description these guys are longing after, but it does however highlight one strong asset they, an ability to appeal to all sorts of music fan. To this end, there musical career, which is headed in only one direction at the moment, following being made track of the week on BBC Radio 1 Introducing, should show no sign of slowing. There is something extremely balanced about this band, from the subtle yet infectious sound, to the mirroring way the two guitarists stand next to each other on stage (one of them is a lefty!).

‘Jasmine’, played midway through the set, stands out as a stunningly well-crafted track, before the trio of crowd-pleasers (chiefly by virtue of actually being available on the internet) ‘Alright’, ‘Shallow’ and ‘No fun’ are dispatched towards the end of their time on stage. ‘No fun’, one of the best songs released so far in 2015, is in fact the set-closer, and an apt one at that. The cooler kids in the crowd already know all of the words to it, and it is by no means a stretch of the imagination to say that this tune could become a real festival favourite in no time at all. The Magic Gang’s set here is exactly the opposite to the title of their latest single, and its brilliant than in these austere times there is a band simply unafraid of just making things fun.

All that’s left now is for Wolf Alice to take to the stage. Walking on to the sound effects heavy intro track which seems all the rage these days, Wolf Alice do not mess about. Opening with old classic ‘Fluffy’ and plunging straight into the menacing and manic former single ‘She’ gets the entire capacity crowd bouncing. Ellie Rowsell’s vocals disconcertingly flit between sickly sweet and psychotic, but always hit the right spot for excitement. Wolf Alice are hyped to an almost debilitating extent, but from this performance it’s easy to see why. Each side they show off throughout the set, from the riff-tastic main-set closer ‘Giant Peach’, to the warm oldie (and new single!) ‘Bros’, the epic ballad ‘Blush’ and shoegazing ‘Storms’ is immaculately paced and performed.

The electricity and energy flowing between band and crowd is intense, and lead guitarist Joff seems sincere, when it could be seen as stale stage talk, as he proclaims ‘what a way to go out Cambridge!’- highlighting the fact this is the last night of their UK tour. The pleasant unassuming nature of the group, exemplified by their frontwoman’s shy/coy on stage presence, remains, but the nerves that gave a slight awkward edge to past performances is totally gone. No more are they the group opening their Glastonbury set by yelling “we’re so nervous!”- they walk on like they own the place. This is most apparent as they return to the stage for an encore- there is tangible excitement, as the crowd know exactly what they’re about to play. The soft opening strums of ‘Moaning Lisa Smile’ signal the loudest screams of the night, and as the main riff kicks in it is impossible not to pogo to the perfect arena rock rhythm. All 900 attendees collectively lose their shit, especially for the massive ‘AaAaAaAaAaAaAaAsss’ of the chorus. Once this, their final song, finishes, all that remains is the unshakeable feeling that you’re lucky to have caught one of the most exciting young groups in the country at a relatively intimate venue.

All three acts return to the stage for West End style bows with a rock-star edge- high fiving, hugging and back clapping are prominent. Tonight has been a great affirmation of the safety of the future of exciting live music in the UK. Lewis Lloyd-Kinnings

The Luuuuurve Test:: Imperial

In 1997, American psychologist Arthur Aron came up with a way of making complete strangers fall in love. It involved a list of 36 questions which two people have to ask/answer, before staring into each other’s eyes for 4 minutes. Apparently it worked.

In the name of science, we want to see if it works for music too by compiling our very own list of 36 adoration inspiring questions which an artist  must answer. Read their responses whilst listening to the track and see if you find the band that pricks your hairs on end, that makes you forget the world, that makes you feel like no other; the artist that is the one. Coming at ya like Marshawn Lynch (but more talkative) this week is Cambridge’s premier beatsmith Imperial:

1. What do you sound like? 
2. What do you look like? 
Imperial - Press 02
3. What’s your name?Imperial
4. Where are you based?Cambridge
5. What’s your genre?Hip Hop
6. Which of your songs is your favourite? I have listened to Jurassic 5 since I was 15, and I just did a remix for one of the rappers solo projects. ‘Sasquatch’ is the lead single of Marc7’s latest album ‘When Sounds Attack, Vol.1″ You can check my remix here – https://soundcloud.com/marc7music/sasquatch-imperial-remix-by-marc-7
7. If you could only listen to one album forever, what would it be? Common – Resurrection
8. What is your greatest passion outside of music? My son
9. Which bear is best? Ummm…Yogi?
10. What’s your favourite food? Curry
11. What’s the best concert you’ve ever been to? Jurassic 5 Brixton Academy 2005
12. Would you rather go blind or deaf? Might sound odd, but probably deaf, I feel music yaa get me. ha
13. What is your favourite joke? Did you hear about the constipated mathematician? He worked it out with a pencil
14. What do you like to write songs about? I just make the beats… but I like to work with people who have something to say, something that makes you think. K.I.N.E.T.I.K. is the best at that, social commentary, he’s not scared to say it how he sees it and ruffle some feathers
15. Where is your favourite place in the world? Cornwall
16. What makes you sad? Arsenal losing to Tottenham
17. What makes you happy? Arsenal beating Man Utd at Old Trafford in the FA Cup…!
18. If you could go on a date with anyone in the world, who would you choose? My wife
19. What is love? Sacrifice
20. Would you rather give up music, food, or sex? Ha, what is this? 2 of those 3 are pretty vital to life…
21. What is your favourite quote? “What does it benefit a man to gain the whole world, but lose his soul?”
22. Playing live, or recording in the studio? Studio, I can make mistakes!
23. What is your favourite book? Probably, Fantastic Mr. Fox. He’s a G
24. Best venue you’ve ever played? Strawberry Fair (Cambridge) main stage
25. Worst venue you’ve ever played? Weddings – too many requests for Macarena
26. Favourite film? Training Day
27. Where would you go if you could go back in time? Just drop me in New York in the early 90s – Golden Era of Hip Hop
28. On the dancefloor, or chatting at the bar? Chatting in the bar but I can bust a move or two
29. Do you get nervous when you perform? Initially yes, but then it dies down after the first mix/scratch
30. What are you scared of? Not so much scared of, but protective of my son
31. How long is a piece of string? Usually just shorter than it needs to be
32. What is the meaning of life? Relationship
33. Summer, winter, autumn or spring? Summer
34. Mary’s father has 5 daughters – Nana, Nene, Nini, Nono. What is the fifth daughters name? Mary, but her father is bananas.
35. Dogs or cats? Dogs
36. Where can people hear/see/read more about you? 

The Luuuurve Test:: Tom Adams

In 1997, American psychologist Arthur Aron came up with a way of making complete strangers fall in love. It involved a list of 36 questions which two people have to ask/answer, before staring into each other’s eyes for 4 minutes. Apparently it worked.

In the name of science, we want to see if it works for music too by compiling our very own list of 36 adoration inspiring questions which an artist  must answer. Read their responses whilst listening to the track and see if you find the band that pricks your hairs on end, that makes you forget the world, that makes you feel like no other; the artist that is the one. This time, doing the quick-fire-thing, is Cambridge based ambient-songwriter Tom Adams:

1. What do you sound like?

2. What do you look like?

https://fbcdn-sphotos-h-a.akamaihd.net/hphotos-ak-xfp1/v/t1.0-9/p843x403/1962772_877888622242853_4022532811138020614_n.jpg?oh=cb15d955a46119e0b715677db918e1b1&oe=55AE8B69&__gda__=1438038043_2ca9cf1a7b8610d44f20eb468705e5d8

3. What’s your name?

Tom Adams

4. Where are you based?

Cambridge

5. What’s your genre?

Listen for yourself. If you can put a catchy genre tag on my music please let me know as currently I am a walking, talking PR nightmare. (ed. hmmmmm, Ethereal-Acoustic-Electronic-Ambient-Skate-Folk?)

6. Which of your songs is your favourite?

Travel Where The Moon Pulls

7. If you could only listen to one album forever, what would it be?

Jon Hopkins – Insides

8. What is your greatest passion outside of music?

Skateboarding

9. Which bear is best?

Polar

10. What’s your favourite food?

Peanuts, but never before a show.

11. What’s the best concert you’ve ever been to?

So many good shows. Recently Clark at Village Underground was amazing.

12. Would you rather go blind or deaf?

Blind

13. What is your favourite joke?

Puns

14. What do you like to write songs about?

Life

15. Where is your favourite place in the world?

Home

16. What makes you sad?

Being ill / tired

17. What makes you happy?

Having energy

18. If you could go on a date with anyone in the world, who would you choose?

Mia Wallace

19. What is love?

music

20. Would you rather give up music, food, or sex?

food

21. What is your favourite quote?

The harder I work the luckier I get

22. Playing live, or recording in the studio?

Both, i spend more time in the studio but live is what its all about

23. What is your favourite book?

Flow my tears, the policeman said – Philip K. Dick (1974)

24. Best venue you’ve ever played?

Colston hall

25. Worst venue you’ve ever played?

Some pub in Soho

26. Favourite film?

Blade Runner

27. Where would you go if you could go back in time?

about 13.8 billion years ago.

28. On the dancefloor, or chatting at the bar?

Bar

29. Do you get nervous when you perform?

Never

30. What are you scared of?

The aliens from ‘Independence day’

31. How long is a piece of string?

About 36 questions

32. What is the meaning of life?

Question 37

33. Summer, winter, autumn or spring?

Autumn

34. Mary’s father has 5 daughters – Nana, Nene, Nini, Nono. What is the fifth daughters name?

Mary

35. Dogs or cats?

Dogs

36. Where can people hear/see/read more about you?

http://tomadams.eu

The Luuuuurve Test:: The Abstracts

In 1997, American psychologist Arthur Aron came up with a way of making complete strangers fall in love. It involved a list of 36 questions which two people have to ask/answer, before staring into each other’s eyes for 4 minutes. Apparently it worked.

In the name of science, we want to see if it works for music too by compiling our very own list of 36 adoration inspiring questions which an artist  must answer. Read their responses whilst listening to the track and see if you find the band that pricks your hairs on end, that makes you forget the world, that makes you feel like no other; the artist that is the one. Today, Cambridge Indie veterans (and Luuuuurverly bunch of lads), The Abstracts:

1. What do you sound like?

2. What do you look like? 

3. What’s your name?

The Abstracts

4. Where are you based?

Cambridge/London

5. What’s your genre?

Indie/Rock

6. Which of your songs is your favourite?

Aquarius Rising or The Room (depending on how I’m feeling)

7. If you could only listen to one album forever, what would it be?

Hybrid Theory – Linkin Park

8. What is your greatest passion outside of music?

Second World War Aircraft

9. Which bear is best?

Katow-jo (Anchorman)

10. What’s your favourite food?

Anything Italian

11. What’s the best concert you’ve ever been to?

Linkin Park – MK Bowl Projekt Revolution Tour – 29th June 2008

12. Would you rather go blind or deaf?

Blind

13. What is your favourite joke?

Why did the guitar player leave drumsticks on his cars dashboard? So he could park in the disabled bays at Tesco

14. What do you like to write songs about?

Life

15. Where is your favourite place in the world?

Zimbabwe

16. What makes you sad?

Bad things

17. What makes you happy?

Kittens

18. If you could go on a date with anyone in the world, who would you choose?

Cheryl Cole (orwhatever she is called nowadays!)

19. What is love?

Baby don’t hurt me.

20. Would you rather give up music, food, or sex?

Sex

21. What is your favourite quote?

“I’m very important. I have many leather-bound books and my apartment smells of rich mahogany.” — Ron Burgundy, Anchorman.

22. Playing live, or recording in the studio?

Playing live all day long!

23. What is your favourite book?

Lord of the Rings

24. Best venue you’ve ever played?

New Brewery Arts, Cirencester

25. Worst venue you’ve ever played?

Retro Bar, Manchester

26. Favourite film?

Anchorman

27. Where would you go if you could go back in time?

The Tudor period

28. On the dancefloor, or chatting at the bar?

Initially at the bar early on in the night but progressing to the dance floor later on

29. Do you get nervous when you perform?

Sometimes

30. What are you scared of?

My neck being touched

31. How long is a piece of string?

As long as you want it to be?

32. What is the meaning of life?

Erm…

33. Summer, winter, autumn or spring?

Summer.

34. Mary’s father has 5 daughters – Nana, Nene, Nini, Nono. What is the fifth daughters name?

Nunu (ed. close, but no cigar)

35. Dogs or cats?

Dogs

36. Where can people hear/see/read more about you?

www.facebook.com/theabstractsuk